is not the first time in my hands you undo a edition of Writings on Literature , which collects a great deal of literary criticism written by the most implacable of French poets, Charles Baudelaire, and from which we can obtain about a mapping of what the literary world was at that time, as you can imagine there is an inventory of envy, false glories of the great authors of their own accord or their friends and today are but not at least a sad memory, the concessions given to friends, in short nothing new, but more important is the way Baudelaire dissects the works of his contemporaries and how you show with his mastery of classical grandeur and misery of the literature of his time. '84 This year's event is run by Carlos Pujol, who, shot by Editorial Bruguera, apart from selecting and prolong translates texts into Castilian, although I'm not usually a fan of prologues, this is one that I never tire of reading and re-read because of an extremely clear us into the life and work of Charles Baudelaire, or what is actually a prologue, which for most prologues apparently is a mystery still have not heard, is also lamenting the poor quality of binding of the work, what actually happens to be a trifle compared with its intellectual content.
are among the writers discussed three devotes the most space on the compiler and who includes two texts, the first of these is nothing less than the great Theophile Gautier, who initially appears a biography in which we can delve into the it was this man than to work with letters, lived in its fullest, while Baudelaire does not attempt to hide his devotion at least the same as it does in the dedication of Las Flores Del Mal but without affecting their judgments about his work, moreover, he explains about the difficulty is the time to write about someone who admires without incurring the typical and often lambisconería usually throwing a poetaster to another after reading both articles no better option than re read The Dead in Love Gautier . 
The second shift is for Victor Hugo, the blackened and rustproof monument that stands unchanged on the nineteenth-century European literature, who include a review of his life and another on his novel Les Miserables summit, and on whom Baudelaire some thoughts about what is or should be, a great poet and a great author, but along these texts we see and understand that is not consistent with all author's work is a fact that makes a fair analysis and valuation in respect of their works, in its view, best achieved. 
More than any of the writers discussed in the book, is without doubt of Mrs. Clemm, mother of Virginia Clemm, wife of Mr. Edgar Allan Poe, whom Baudelaire portrait deeper and more meaningful, an act of justice for the adoptive mother in the country where everything is mega, including ignorance, as well took care of that voice misunderstood yet higher, which was the great Poe, dissects these texts, rather than the teacher's story terror, the company that was conceived and in some ways, to be unable to tame, killed him; is to remember that Baudelaire was Poe who introduced in France, therefore in Europe, and the first of these texts has been included on many occasions as a prologue to his, so aptly named, Extraordinary Stories, then nothing more sensible to re read Story found in a bottle, is this book a gateway to literature that is perpetual, because it was meant to be read and not merely to be publicized. 
0 comments:
Post a Comment